It’s the Wallington Music Festival this weekend, and my home town will be showing off its abundance of musical talent. Check out the festival Facebook page for details of all the acts, and when and where they are playing.
This week’s free art drop is a design to celebrate the festival. I’ve taken some of the colours from the festival design and applied them to my art. I’ve chosen colours which represent the local river, and lavender, and I have applied them in a way that creates a unique ‘fingerprint’ surface on the paint.
If you are off to the festival this weekend, have an amazing time and keep an eye out for this free art drop which will be hidden somewhere around town.
Preparations for the Carshalton Artists Open Studios are in full swing here, aka panic mode! I’ve been working on a larger (80cm x 30cm) canvas for a while, with a local theme in mind…
I’m currently torn between the River Wandle and the lavender fields which our area is well known for. I’m keen to work up this canvas and because I am unsure where to go next, I’m currently experimenting with some patterns on smaller pieces.
The intention is to offer up some cut shapes containing various colours and patterns to the larger canvas, and see how they do, or do not work. Earlier in my painting career I’d have blundered on with the main canvas and maybe ruined it. Now – when I get to a point where I feel experimentation is required, sometimes I do it in such a way as to preserve something good and as yet unfinished. Also – by working like this, sometimes I get the added bonus of a free art drop emerging out of the experiment.
I made these as part of my Leap Day 2016 preparations. Still not sure what to do with them yet.
16 good hearts – purple ink on recycled cotton rag.
I was recently invited to a friend’s party, and decided to paint an abstract piece of art for the host. I got in touch to find out her favourite colours, and after receiving the response, ‘purple and orange,’ I got to work. I decided to paint onto a 16 inch x 12 inch canvas, that’s a large surface as far as I’m concerned. Here’s phase one of the painting.
Next I added some orange. Ouch! What an awful clash.
I stared to get a bit lost after this. First I applied a layer of translucent white to the main body of the canvas, to tone down the background. That didn’t work so I then applied a thick layer of purple over the orange and scraped off the excess to reveal hints of the colour beneath. I like the effect but the overall composition still isn’t working. It was the night of the party and I had to leave an incomplete painting to one side – there was no way I was giving this to anyone in it’s current form!
The party was good fun. I returned to my work and things deteriorated.
I was lost, and in a mess. I was just about ready to give up, then I decided to take the solid block of colour back to basics. Out came the titanium white.
The intensity disappeared – and then Keira offered a suggestion, ‘how about blue?’ How about it indeed. I loosely mixed up some blue and some translucent white, which I then dragged the mixture over the titanium white in short, blocky strokes.
Finally! Several hours after I started – and with some valuable assistance, I got the painting somewhere I feel happy with. The recipient has seen a photograph and has approved, so it’s now signed and in the process of being delivered.
What have I learned? I tried too hard to work the two favourite colours into one piece – they weren’t getting along. I also learned that when using acrylic paint – you can salvage a disaster. Had I been making this in water colour – I expect I would have abandoned ship and settled on something else as a present long ago.