There’s a really cool free art extravaganza being planned in Peterborough this Summer. All the clues and info for the exhibition and giveaway will be released here, and from what I’ve seen so far – it promises to be a fantastic event. I promised to submit a piece to the event and got round to it this week.
I’ve been pondering some remix work on my winged heart designs for a while and been unsure about where to go. I played with some paint dribble effects to make a bleeding hear design – and at first I got it spectacularly wrong. I mixed the paint too thinly and it ran all over the place. Painting for the bin! Second time around I got the thickness and colour how I wanted it then applied the paint with a brush – before blowing it through an old biro casing.
I like how this turned out. I titled it ‘Careful, I Think It’s Broken’ and shipped it off to Peterborough for inclusion in the exhibition. Next I turned my attention to this week’s We Are All Artists free art drop. I wanted to continue remixing, using the second winged heart design and as I stared at the print – inspiration hit me. I took a dark grey fineliner, and inked in the wing edges, then made a maze design on the heart. This one is titled ‘Getting Lost In The Maze Of Your Heart’, and it will be released locally tomorrow. Keep an eye out for it – finders keepers.
In November 2014 I had a go at using acrylic paint and paper using a kind of monotype process. I didn’t like the results at the time – but in time that work came to be quite significant to me. I used parts of the acrylic prints as a backdrop for my various Art and Soul of Better Work presentations in Europe and the USA last year, before splitting the work into four smaller pieces and giving it to friends – retaining one piece for myself.
Carole and I were recently invited to a friend’s birthday. I wanted to make our friends a gift and decided to revisit this acrylic printing technique again. Here’s the design I came up with.
There are three people in the family, each family member is represented on the painting as a group of printed paint shapes. The painting is surrounded by a simple white wooden frame. There is no glass in the frame – the thickness of the acrylic doesn’t allow for it and pressing the painting up to the glass would probably ruin the peaks caused by the printing technique.
These two close up photographs show the paint recently applied and still wet, and later after drying.
I really enjoyed painting, printing and framing this, I like the blend of intention and surprise the technique produces.
Carole bought me a lino cut kit for my birthday and these Christmas cards are my first attempt at using the kit. I’ve printed 20 of these and I’m enjoying the similarities, because all the cards are printed from the same cut, and the differences caused by the amount of ink used, how hard I press, and where I press too.